{"id":2389,"date":"2017-11-15T14:23:45","date_gmt":"2017-11-15T14:23:45","guid":{"rendered":"http:\/\/www.jso.co.il\/%d7%9e%d7%a0%d7%97%d7%9d-%d7%a4%d7%a8%d7%a1%d7%9c%d7%a8\/"},"modified":"2017-11-15T14:31:08","modified_gmt":"2017-11-15T14:31:08","slug":"menahem-pressler","status":"publish","type":"post","link":"https:\/\/www.jso.co.il\/en\/menahem-pressler\/","title":{"rendered":"Menahem Pressler"},"content":{"rendered":"<p><span style=\"color: #ffffff;\">0<\/span><br \/>\n\u201cMenahem Pressler\u2019s joyous pianism &#8211; technically faultless, stylistically impeccable, emotionally irrepressible &#8211; is from another age and is a virtually forgotten sensibility. He is a national treasure. \u201d &#8211;\u00a0<em>The Los Angeles Times<\/em><\/p>\n<p>\u201c.\u2026a poet, time and again revealing unexpected depths in works that have been endlessly plumbed and surveyed.\u201d\u00a0<em>&#8211; The New York Times<\/em><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p>Menahem Pressler, founding member and pianist of the Beaux Arts Trio, has established himself among the world\u2019s most distinguished and honored musicians, with a career that spans almost six decades. Now, at 93 years old, he continues to captivate audiences throughout the world as performer and pedagogue, performing solo and chamber music recitals to great critical acclaim while maintaining a dedicated and robust teaching career.<\/p>\n<p>&nbsp;<\/p>\n<p>Born in Magdeburg, Germany in 1923, Menahem Pressler fled Nazi Germany in 1939 and emigrated to Israel. Pressler\u2019s world renowned career was launched after he was awarded first prize at the Debussy International Piano Competition in San Francisco in 1946. This was followed by his successful American debut with the Philadelphia Orchestra under the baton of Eugene Ormandy. Since then, his extensive tours of North America, Europe and the Far East, have included performances with the orchestras of New York, Chicago, Cleveland, Pittsburgh, Dallas, San Francisco, London, Paris, Berlin, Hamburg, Dresden, Amsterdam, Brussels, Oslo, Helsinki and many others.<\/p>\n<p>After nearly a decade of an illustrious and praised solo career, the 1955 Berkshire Music Festival saw\u00a0Menahem Pressler\u2019s debut as a chamber musician, where he appeared as pianist with the Beaux Arts Trio. This collaboration quickly established his reputation as one of the world\u2019s most revered chamber musicians. With Menahem Pressler at the Trio\u2019s helm as the only pianist for nearly 55 years, The New York Times described the Beaux Arts Trio as \u201cin a class by itself\u201d and the Washington Post exclaimed that \u201csince its founding more than 50 years ago, the Beaux Arts Trio has become the gold standard for trios throughout the world.\u201d The 2007-2008 season was nothing short of bitter-sweet, as violinist Daniel Hope, cellist Antonio Meneses and Menahem Pressler took their final bows as The Beaux Arts Trio, which marked the end of one of the most celebrated and revered chamber music careers of all time. What saw the end of a one artistic legacy also witnessed the beginning of another, as Menahem Pressler continues to dazzle audiences throughout the world, both as piano soloist and collaborating chamber musician, including performances with the Juilliard, Emerson, American, Cleveland , Pacifica and Eb\u00e8ne Quartets among many others. Of his recent solo performance in Austria, Die Presse wrote: \u201che struck a tone that was long believed lost already, a tone we perhaps last heard from Wilhelm Kempff.\u201d His recent solo concertizing engagements included six performances with the Berlin Philharmonic in 2014, the last three with Sir Simon Rattle for the 2014 New Year\u2019s Eve concerts televised worldwide, the Orchestre de Paris and the Concertgebow Orchestra, among many others. Nearing ninety he collaborated with\u00a0Christoph Pregardien playing Schubert&#8217;s Winterreise for the first time. Following lifesaving surgery and recuperation in 2015 he collaborated with Matthias Goerne in Schumann Lieder at Wigmore Hall and the Verbier Festival. Last Autumn saw him giving recitals and concerts with orchestras all over Europe including Hamburg with Kent Nagano, Dresden and Berlin Philharmonie with Christian Thielemann and Staatskapelle Dresden. \u00a0He also took part in major festivals including Ravinia and Tanglewood where he performed with the Boston Symphony and\u00a0Charles Dutoit\u00a0and performed with that orchestra in Boston during the regular subscription series last November.\u00a0In 2017-2018 he will tour Asia,\u00a0\u00a0Europe, the United States and Israel, giving recitals, playing chamber music, and soloist with orchestra as well as giving masterclasses.<\/p>\n<p>&nbsp;<\/p>\n<p>For over 60 years, Menahem Pressler has taught on the piano faculty at the world-renowned Indiana University Jacobs School of Music where he currently holds the rank of Distinguished Professor of Music as the Charles Webb Chair. Equally as illustrious as his performing career, Professor Pressler has been hailed as \u201cMaster Pedagogue\u201d and has had prize-winning students in all of the major international piano competitions, including the Queen Elizabeth, Busoni, Rubinstein, Leeds and Van Cliburn competitions among many others. His former students grace the faculties of prestigious schools of music across the world, and have become some of the most prominent and influential artist-teachers today. In addition to teaching his private students at Indiana University, he continuously presents master classes throughout the world, and continues to serve on the jury of many major international piano competitions.<\/p>\n<p>&nbsp;<\/p>\n<p>Many contemporary composers have written works especially for him including Kurtag who wrote three solo piano works for Menahem Pressler.<\/p>\n<p>&nbsp;<\/p>\n<p>Among his numerous honors and awards, Pressler has received honorary doctorates from the Manhattan School of Music, the University of Nebraska, the San Francisco Conservatory of Music and the North Carolina School of the Arts,\u00a0Honorary RAM from rhe Royal Academy of Music London,\u00a0six Grammy nominations, lifetime achievement awards from Gramophone magazine and the International Chamber Music Association, Chamber Music America\u2019s Distinguished Service Award, the Gold Medal of Merit from the National Society of Arts and Letters. He has also been awarded the German Critics \u201cEhrenurkunde\u201d award, and election into the American Academy of Arts and Sciences. In 2007 Menahem Pressler was appointed as an Honorary Fellow of the Jerusalem Academy of Music and Dance in recognition of a lifetime of performance and leadership in music. In 2005 he received two additional awards of international merit: the German President\u2019s Deutsche Bundesverdienstkreuz (German Cross of Merit) First Class, Germany\u2019s highest honor, and France\u2019s highest cultural honor, the Commandeur in the Order of Arts and Letters award. His more recent honors and awards include the prestigious Wigmore Medal (2011), the Menuhin Prize given by the Queen of Spain (2012),\u00a0inductions into the American Classical Music and Gramophone Magazine Halls of Fame (2012), and the Music Teachers National Association Achievement Award.\u00a0The ECHO Klassik 2015 Lifetime Achievement Award in Germany, and the Victoire d\u2019honneur 2016\u00a0Lifetime Achievement Award from the French Victoires de la Musique Classique.<\/p>\n<p>&nbsp;<\/p>\n<p>Having recorded practically the entire chamber repertoire with the Beaux Arts Trio &#8211; in 2015 Decca released a 60 CD set of the complete Beaux Arts Trio Philips Recordings comprising some 122 works,\u00a0Menahem Pressler\u00a0has compiled over thirty solo recordings, ranging from the works of Bach to Ben\u00a0Haim. He has completed\u00a0recording a CD of French music for Deutsche Grammophon to be released in February 2018 and\u00a0the second volume of the complete set of Mozart Sonatas for La Dolce Volta has just been released.<\/p>\n<p>&nbsp;<\/p>\n<p>His DVDs include a live recital, concertos with Paavo Jarvi and the Orchestre de Paris, and his Mozart Concerto for the Berlin Philharmonic\u2019s New Year Concert with\u00a0Sir Simon Rattle, transmitted live world-wide in 2015. His own 90th Birthday Concert Live from the Salle Pleyel in Paris was recorded for DVD and CD with the Eb\u00e8ne Quartet and Pregardien amongst others.\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p>The documentary \u201cPianist Menahem Pressler: The Life I Love\u201d won the Grand Prize at the Golden Prague International Television Festival in 2015.\u00a0He has been the subject of books written to honor his life and legacy, including \u201cMenahem Pressler: The Artistry of Teaching\u201d and \u201cAlways Something New to Discover: Menahem Pressler and the Beaux Arts Trio.\u201d In 2016 a book of conversations with Holger Noltze &#8220;Dieses\u00a0Verlangen\u00a0\u00a0Nach Sch\u00f6nheit&#8221;<strong>\u00a0<\/strong>was published in Germany by the Koerber Stifftung.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>0 \u201cMenahem Pressler\u2019s joyous pianism &#8211; technically faultless, stylistically impeccable, emotionally irrepressible &#8211; is from another age and is a virtually forgotten sensibility. He is a national treasure. \u201d &#8211;\u00a0The Los Angeles Times \u201c.\u2026a poet, time and again revealing unexpected depths in works that have been endlessly plumbed and surveyed.\u201d\u00a0&#8211; The New York Times \u00a0\u00a0 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2389","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/posts\/2389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/comments?post=2389"}],"version-history":[{"count":2,"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/posts\/2389\/revisions"}],"predecessor-version":[{"id":2391,"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/posts\/2389\/revisions\/2391"}],"wp:attachment":[{"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/media?parent=2389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/categories?post=2389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jso.co.il\/en\/wp-json\/wp\/v2\/tags?post=2389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}